Avirus - Beneficial Sickness

Avirus - Beneficial Sickness
Groove Metal From Australia

calling its musical style as "Bovine metal" this band comes up with a Groove Metal proposal and humorous lyrics to demonstrate a good execution of the Groove style and impeccable sound quality, an excellent guitar gallop is heard accompanied by a deep bass, the cuts for breaks they are appropriate for the plot of the song, the guitar riff is very variable so that no song is perceived as monotonous (listen to instrumental track # 3), the above can be seen on tracks 1 and 2, El trasck 4 "STEAL" has a special emphasis on the Thrash Metal style, the base riff is quite exhilarating and eloquently the rest of the song has a quite happy and aggressive tuning, just like in the previous one, track 5 has an insatiable speed with some quite forceful and fast gutturals and a very interesting initial riff, track 6 "smoke and murder" shows the excellent performance of the guitar at the beginning although the song moved stra a little more appeased, "cum your aid" obviously has something to do with the metalcore style since the percussion that accompanies the beginning is closely linked to that style, although it gradually adjusts to the groove style more firmly, "shut your mouth" at Like the previous ones it has a very captivating initial riff and the rest of the song is developed with a clear influence of the Croosover Thrash Metal in the opening song and Groove / Nü Metal in the rest of the song, "Bite the bullet" is properly a Groove Metal with approaches to the Doom due to its dense and slow but strong form, "smack your ass" undoubtedly has a more variable form that goes through different times and interesting rhythms at all speeds, "masturbate to this" is quite aggressive, it note the percussion hits although they are not so fast but very forceful, track 12 that bears the eponymous title of the album is undoubtedly the favorite of all this work because its initial riff is quite sophisticated and in the course of the song an interesting transformation of the rhythm and the arrangements is seen in such a way that it leads to a logical achievement, the track "The exorcist" is expressed as an instrumental film, with a saturated, galloping and strong riff , likewise the album culminates with an aggressive vocalization as expected.