Actualización Agosto 28 del 2024:
Este Blog reanuda sus publicaciones de reseñas de trabajos discográficos en libre descarga autorizada por sus artistas, a partir de ahora escritas netamente en el idioma español, por lo que los visitantes que hablen otros idiomas podrán activar el traductor desde su navegador o con el 'gadget' habilitado en la barra lateral de este 'blog'. Las reseñas volverán a estar enfocadas exclusivamente en el género musical Heavy Metal y sus derivados, bien sea de subgéneros del Metal o de mezcla de géneros musicales donde predomine el Metal. Adicionalmente este 'blog' se une a la iniciativa del sitio 'web' Metal Archives donde solo admitimos bandas y trabajos discográficos realizados o programados por humanos, dejando de lado las producciones realizadas por las inteligencias artificiales que ahora están en auge. En las reseñas se tendrán en cuenta (en la medida de lo posible) todos los criterios de evaluación para un trabajo discográfico que aborda distintas formas de arte además de la musical, cabe aclarar que no tengo un vasto conocimiento técnico en música y en otros artes, pero se pondrá todo el empeño para dejar las ideas claras en un lenguaje no tan profesional y que sea comprensible para la mayoría de lectores, seguramente habrán referencias a otras bandas, artistas, así como a mis artículos en el blog Mystiscio y también habrán segmentos resaltados en color amarillo para señalar que ciertas evaluaciones pueden tener un lenguaje más técnico que se espera sean aportados respetuosamente desde la caja de comentarios. No siendo más, deseo que disfruten del contenido que iré publicando aquí así como de las noticias sobre material y producciones relacionadas con este blog que lanzaré al mercado desde Kinzoku Producciones, productora que consolidé y a la que adscribo el blog Metal Sin Traba
- atentamente
- Victoria Mejia Chantre @v1ct0r14rt
contacto: kinzokuhellrider@gmail.com
Metal Sin Traba Radio (Iradeo)
Metal sin traba radio
El blog Metal sin Traba cumplió 11 años desde que se lanzó en enero del 2013 y el antiguo programa Mysticus Radio (cuyas grabaciones podrán buscar en un vinculo de la barra lateral de este blog), podcast con transmisión en directo, cumplió 10 años desde Julio del 2014. Por este motivo se relanza este último bajo el nombre Metal Sin Traba Radio conservando su mascota (la silueta del Nosferatu verde usada desde Mysticus Radio 2017) y su modalidad de transmisión en directo
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Queridos y malditos lectores
This blog, created in 2013, was created with the noble intention of spreading all those rock and metal bands around the world that authorize the public download of their musical works. Until mid-2020 this blog made reviews, now it gives the freedom for each listener to rate what they like in the comments
however, musical references will come from here for later musical reviews on the blog mystiscio.blogspot.com
click on the album you want to listen and download from the
band's official site (LEGAL AND FREE DOWNLOADS), the links lead to a review about each album ¡ thanks
for visit this blog ! Subscribe for more notifications
CRYPT OF INSOMNIA - Quadrilogy. Part 2: Essentials
Symphonic Metal, Heavy Metal From Antarctica
SCORES
influences: N / A
Lyrics: N / A
Recommended Song: Exurb Infernum, Codex Omega, The Beast is Getting Closer
instrumentation: 10
voice: 10 clean voice with regional instrumental accent, opera choirs, and throaty in "Dipole Repeller. Fine"
MUSICAL production: 10
cover: 10
SCORES
influences: N / A
Lyrics: N / A
Recommended song: Barbarian Rhapsody
instrumentation: 10
voice: N / A fully instrumental
MUSICAL production: 9
cover: 6
SCORES
influences: N / A
Lyrics: N / A
recommended song: at home
instrumentation: 9
voice: 8 female clean voice and eventually male clean voice
MUSICAL production: 8
cover: 5
Avant Garde / Experimental / Industrial Metal From Italy
SCORES
influences: Prigione Eterna makes extreme rock music with a tendency to experimentation and a lo-fi sound.
Lyrics: N / A
recommended song: Prey
instrumentation: 7
voice: 7 ripped with low power
MUSICAL production: 10
cover: 9
SCORES
influences: Dutch modern groove thrash
Lyrics: N / A
Recommended song: Pandemedia
instrumentation: 10
voice: 9 torn and throaty
MUSICAL production: 10
cover: 9
SCORES
influences: N / A
Lyrics: social affairs
Recommended song: Antisocial
instrumentation: 10
voice: ripped and throaty hardcore guy
MUSICAL production: 7
cover: 8
SCORES
influences: N / A
Lyrics: sword and sorcery.
Recommended song: Mortal Men Doomed To Die
instrumentation: 8
voice: 10 epic tenor and gutural
MUSICAL production: 10
cover: 4
SCORES
influences: Death Metal, progressive and Metal Core but experimenting with a mix of rhythms such as Jazz and bossanova, among others
Lyrics: travel, occultism, internal problems
Recommended song: Chronicles of an Even
instrumentation: 9
voice: 9 guttural high and thick
MUSICAL production: 7
cover: 6
Recent Releases: "Beyond Being" (2020 single)
SCORES
influences: Burzum, Darkthrone and other bands from the second wave of Norwegian black metal
Lyrics: Satanism, Medieval times, Occultism
Recommended song: Under the Mantle of the Night
instrumentation: 9
voice: 9 guttural high pitched
MUSICAL production: 8 analog
cover: 8
SCORES
lyrics: Metal, Love
Recommended song: I am Metal
instrumentation: 10 (fast)
voice: 7
MUSICAL production: 7
cover: 3
Recent Releases: "Love's Just a Loser's Game" (2018 single)
Licantropía - Licantropía EP
Death Metal from argentina
this sound consists of an interesting mix between death metal and some elements of hardcore punk, more specifically, elements of crust, judging by the changing voices from thick guttural to high guttural it could be said that it handles good versatility between songs, this possibly has repercussions when it comes to seeing the most striking songs that are also accompanied by powerful riffs and percussions
click on the album you want to listen and download from the
band's official site (LEGAL AND FREE DOWNLOADS), the links lead to a review about each album ¡ thanks
for visit this blog ! Subscribe for more notifications
instrumentation: most likely influenced by the rock of the 70s and heavy metal of the 80s, they managed to compose this wonderful album, listening to songs like "Le Punky" reminiscent of hard rock from the 70s, any admirer of classic rock will be satisfied with this album
: the voice is nice. It is not very technical but accommodates what is necessary in the sound
; production: excellent, very old guard
Resistencia - Resistencia EP
Thrash Metal From Colombia
instrumentation: the central theme is with
Anti-Religion, Antifascism, Politics, Social issues
the style leans towards a very underground form of thrash metal, it does not sound dark but it shows a garage quality, however it is not unpleasant, it is perceived very well and can become comparable with great works of this musical style within the that made bands like LA PESTILENCIA or DARKNESS
; production: regular, should be improved as guitar sounds are not well perceived
; cover: the crayon drawing suggests government manipulation as a result of corruption
At this moment the band is promoting their new album "" Pestilentes Realidades ""
instrumentation: this is a style of black metal that preserves some of the traditional heavy metal, if you listen to the intro of all this work and the intro of the songs you can tell about it, with this EP you can see the differences notable between the two styles and what are those interesting transitions
, the voice is guttural high, not bad, although it could improve in the parts of the screams
Fentanyl Tapwater - Fentanyl Tapwater EP
Sludge Metal U.S.
instrumentation: the density of doom metal combined with the desperate scream of sludge, a good combination without a doubt, there is something interesting, in some songs the riffs are practically belonging to Hardcore punk but in the slow mode of doom,
Contaminated Ejaculate - Cum Covered Retard
Brutal Death Metal/Goregrind from Australia
instrumentation: speed without anesthesia, simply rotten and great with pig gutturals at all times, guitars have a very special effect, they sound with full power
voice: throaty high and thick
Monkeytooth - Blurred Vision DEMO
Thrash Metal from Germany
instrumentation: within their lyrics they talk about Mental issues, Religion, Oppression. This is simply thrash metal eighties to the vein, slightly hardcore punk is perceived in the voice but without a doubt the style is more inclined to be thrash metal, just beautiful to hear so much aggressiveness and speed in a single demo.
The voice is sharp but very haughty
; production: very good
Armifer - Armifer demo 2014
Melodic Death Metal from Spain
instrumentation: probably influenced by amon amarth, they perform a melodic death metal with epic overtones, which can be corroborated with the interludes of solos and the melody that together make up the guitars with the deep throaty voice
; production: exceeds expectations
instrumentation: it is described with a single word: forceful, undoubtedly preponderance is a characteristic feature in this band that in parallel speaks of themes such as Murder, Mental diseases, Trauma, Social pathology.
voice: deep throaty
; production: very good and excellent mix
Abolish Conception - Imortalitas Dalam Bentangan Nihil (remixed)
Technical Death Metal from Indonesia
Influenced by Malevolent Creation, Monstrosity, Dissection, Suffocation, Cannibal Corpse, Neuraxis, Visceral Bleeding, Arsis.
Punish Instrumentation: It is a very aggressive death metal but with the virtuosity of what corresponds to the technicality of this style, the bass of the guitars and the bass itself are captivating, strong and violent
voice: guttural with screams, it is quite eloquent
; production: excellent, good blends
Øbscurantist - Øbscura
Post-Black Metal from Ukraine
Instrumentation: These sounds are very inspired by the nature of the forest, as expected, the mixture of atmospheric black metal with the post black metal movement leaves this result, a good composition with soft and distorted guitars.
voice: voices are preserved with kriegs
; production: acceptable considering that some saturation is heard in the background
Invasión Eterna - Siempre Han Vivido En El Infierno (Instrumental)
Death/Thrash Metal from Chile
Instrumentation: This instrumental level single sounds quite interesting, contains an intro and various tempo changes, it is undoubtedly traditional thrash metal with elements of death metal, the band clarifies its facet old guard
instrumentation: it is undoubtedly an excellent mix of various nuances of instruments, surely with the aim of sounding more sophisticated they house unconventional and ambient sounds that can be made with guitars, it is a style that is very pleasing to the ear
voice: throaty and occasionally cleans
; production: excellent
instrumentation: the sound of the guitar is quite deep and low, it can be seen that excellent breakdowns can be made with force, it has a good melody according to the groove style, it is not monotonous
voice: throaty and ripped at the same time, it resembles the post hardcore song
; production: acceptable, sounds good
Retaliation - Demo
Thrash Metal/Crossover from Canada
instrumentation: it has quite a bit of hardcore influence, it dulls even the thrash metal style, however it sounds good since in addition to the good cuts, it handles good melodies and guitar interventions
voice: it is sober, choked but consistent with the style and sound
; production: is good
bonejammer - Demo '19
Thrash Metal/Punk from Denmark
influenced by Nuclear Death Terror - Nasum - Disrupt - Doom - Caustic Christ - Driller Killer - Anti Cimex - Skitsystem - Nekrofilth - Nausea.
instrumentation: conservative with classical punk, the joint work of bass guitars and percussion is distinguished, obviously without leaving aside any other thrash metal element
voice: guttural high-pitched, thick ripped, it has a variation in this respect although it is heard very diffuse, like the choruses
; production: poor, better sound quality work needed
; cover: underground cartridge type
instrumentation: very possibly influenced by graveworm and cradle of filth, its sound is coupled to the melodic style mixed with black metal, it also has background effects that accompany fast guitars very well.
voice: high-pitched guttural
; production: good, blends are perfect
; cover: the eye looking through a sheet can suggest many things, the colors are striking
Hernan Ojeda's Winds of Heaven - Inicio
Melodic Heavy/Power Metal from argentina
instrumentation: it has excellent melodies, without a doubt the soloist behind this project knows how to compose music, this work mixes elements of rock, heavy metal and power metal
voice: clean and powerful recursively
; production: excellent quality
; cover: has an inspiration to something big, fantasy
Land of fallen dreams - I
Funeral Doom Metal from Ukraine
instrumentation: extremely dense, considering it's a side of death doom metal, this form mixes some sound effects with the density of the guitar and the slowness of the percussion
voice: very deep guttural and sometimes sharp guttural black metal style
; production: regular, noticeable background noise
; cover: it has a certain meaning, awakens a feeling of loneliness
influences: Deathchain, Kreator, Defleshed, Eyeconoclast, Morbid Saint, Sepultura, Merciless, Cancer, Hour of Penance, The Faceless, Fleshgod Apocalypse, Dismember, Deathchain, Attomica, Deathraiser, Hypnosia, Death, massacra
instrumentation: uses the basses quite well, the notes are strong and has excellent suspenseful moments, arouses many sensations
voice: throaty but not so deep
; production: acceptable
; cover: possibly suggests a critique of the religious concept
Terra Sterilis - Terra Sterilis II
Raw Black Metal/Noise/Ambient from Bosnia and Herzegovina
instrumentation: you can distinguish something in the middle of the noise, the voice is very opaque, surely intended by the author
; voice: torn
; production: poor sound quality
; cover: it is interesting and mysterious, it is a planet seen from another
Righteous Metal Missionaries - Righteous Metal Missionaries demo 1990
Heavy Metal From U.S.
influences: Deliverance, Stryper, Tourniquet, Sacred Warrior, Bloodgood, White Cross, Barren Cross
Instrumentation: Classic and old guard to the vein, reminds us of the golden era of heavy metal, and it is not uncommon given that this demo is from the year 1990, unfortunately the band has Christian indoctrination intentions judging by the message on the website
; voice: clean
; production: analog
Instrumentation: Old school heavy metal singing this single in the best hymn way, has an interesting sound accompanied by eighties-style synth effects, with some power metal overtones
; voice: clean and powerful at certain times
; production: very good, classic style
; cover: there is a cover that alludes to an Abrahamic religion, certainly a criticism of the suicide squad that are the parishioners