Perventor - V In Abhorrence of Light
Black Metal From Colombia
Perventor is a Colombian one man
Black Metal band, evoked from the shadows of the city of Barrancabermeja (Santander) , being
the pioneer expressing the damn feeling
through black metal style since 2008. The lyrics focus on the emotions of hate,
lust and destruction also emphasizes anti-Christian and misanthropic positions,
all this is seen in their particular discography. evidently instrumental guitar
skills is a quality that makes Perventor an integral band within the different
styles black metal due it includes the more traditional extreme aggresiveness
of the second wave of black metal and also the serenity of the atmospheric and
slow sounds, elements that have evolved in the short history of this one man
band and that until this day leaves a mark inside the underground metal
alluding to all the curses of mankind.
This first full-length album called "V In Abhorrence of Light"
released the first day of 2016, continues to count the series of works made by
the band, is the fifth discographic work and the most representative of
Perventor due it seen an evolution in the sounds that were initially were very
crude in the first demos to become a more consistent sound according to human
insight, a sound with atmospheric and depressive elements extolling the
darkness of the psychology.
1. Only facing Death we find what Life means
This song is quite similar to an intro, consists of a guitar riff very
loud, depressing and deep, accompanied by a sound of temple bell, exist harmony
with the low and high notes from two guitars, which sound set is perceived as
the beginning of a story of condemn.
2. One Man's War (Lucifer, Save My Grave)
The song has a very characteristic and repetitive riff with an obvious
handling technique of picking alternate and Phrygian scales which is presumably
the basis for other riffs on the album, the particular stroke of a cymbal gives
beginning to the acceleration and deceleration of the percussion, as well as
starts in conjunction with the screams of lament and phrases request:
"Lucifer, Save my grave."
3. Answers from the Inverted Pentagram
It is the track that has the coldest notes in the album, this song is
introduced with a desolate rhythm and a deep scream, its first transition at a
time more accelerated occurs with a submersion in a kind of silence, similar to
the sinking of a sound in water, the whole song is a basic riff in tremolo
picking with some notable breaks made by the cymbals that influence changes in
tempo of the battery.
4. In Abhorrence of Light
This track gives the name to the album, is provided with a prolonged and
deep screams in a basic drum rhythm with a marked density in their alternating
picking electric guitar notes, which establishes a full atmosphere of darkness.
In a court continue the riff without percussion, and then as a crash enters a
series of different compasses percussion with changes in determined time
intervals and provided by the hard blows of the dishes that make the
transition.
5. Entregado a la Muerte.
This song is an ode to death, begins with verses in Spanish accompanied
by scales and notes guitars: " Ante el horror de la
muerte , el dolor se torna mas denso, pido al fuego del infierno , que haga
cenizas la culpa... en vida sucumbi al orgullo, con orgullo me he entregado al
odio, con odio tomé la existencia y me he entregado a la muerte... ". Then enters a simultaneous scream at a basic
rhythm of drums and a spooking guitar scales repeating the above verse. Subsequently, the breakdown of compas repeats
the initial musical structure with the following verses: " el frio amargo de la existencia , juzga con las voces de mis ancestros
,solo el horror de la muerte entrega perdon y calma" After that the song
ends with a pacified harmony in guitar arpeggios.
6. Satanic victory.
The song starts with an atmosphere of anxiety, fast drums and picking
alternated with a terrrificas and raw voices make up this first part, the
percussion stops suddenly to start the voices of a ritual being performed in
manifestation of all evil with the nuances of the guitar. Even more interesting
is the moment when everything is silent and endure the ritualistic verses
similar to a prayer around Satanism, then enter again the songs with raw
guttural overtone voices with all other instruments.
7. Only facing Life we find what
Death means
After all this conceptual route of the album, it comes down to this
paradoxical conclusion and complementary at time with the track 1 "Only
facing Death we find what Life means" precisely due to the base riff
implemented above is preserved, just it hears bells again, the changes marked
by dishes and introspective desperation that reflects this song. The song
extols by shouting the phrase "Time runs out ... ... while we hide in
shadows ... ... dying in darkness we lie ... now .."
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