Black Metal From Colombia
Perventor is a Colombian one man Black Metal band, evoked from the shadows of the city of Barrancabermeja (Santander) , being the pioneer expressing the damn feeling through black metal style since 2008. The lyrics focus on the emotions of hate, lust and destruction also emphasizes anti-Christian and misanthropic positions, all this is seen in their particular discography. evidently instrumental guitar skills is a quality that makes Perventor an integral band within the different styles black metal due it includes the more traditional extreme aggresiveness of the second wave of black metal and also the serenity of the atmospheric and slow sounds, elements that have evolved in the short history of this one man band and that until this day leaves a mark inside the underground metal alluding to all the curses of mankind.
This first full-length album called "V In Abhorrence of Light" released the first day of 2016, continues to count the series of works made by the band, is the fifth discographic work and the most representative of Perventor due it seen an evolution in the sounds that were initially were very crude in the first demos to become a more consistent sound according to human insight, a sound with atmospheric and depressive elements extolling the darkness of the psychology.
1. Only facing Death we find what Life means
This song is quite similar to an intro, consists of a guitar riff very loud, depressing and deep, accompanied by a sound of temple bell, exist harmony with the low and high notes from two guitars, which sound set is perceived as the beginning of a story of condemn.
2. One Man's War (Lucifer, Save My Grave)
The song has a very characteristic and repetitive riff with an obvious handling technique of picking alternate and Phrygian scales which is presumably the basis for other riffs on the album, the particular stroke of a cymbal gives beginning to the acceleration and deceleration of the percussion, as well as starts in conjunction with the screams of lament and phrases request: "Lucifer, Save my grave."
3. Answers from the Inverted Pentagram
It is the track that has the coldest notes in the album, this song is introduced with a desolate rhythm and a deep scream, its first transition at a time more accelerated occurs with a submersion in a kind of silence, similar to the sinking of a sound in water, the whole song is a basic riff in tremolo picking with some notable breaks made by the cymbals that influence changes in tempo of the battery.
4. In Abhorrence of Light
This track gives the name to the album, is provided with a prolonged and deep screams in a basic drum rhythm with a marked density in their alternating picking electric guitar notes, which establishes a full atmosphere of darkness. In a court continue the riff without percussion, and then as a crash enters a series of different compasses percussion with changes in determined time intervals and provided by the hard blows of the dishes that make the transition.
5. Entregado a la Muerte.
This song is an ode to death, begins with verses in Spanish accompanied by scales and notes guitars: " Ante el horror de la muerte , el dolor se torna mas denso, pido al fuego del infierno , que haga cenizas la culpa... en vida sucumbi al orgullo, con orgullo me he entregado al odio, con odio tomé la existencia y me he entregado a la muerte... ". Then enters a simultaneous scream at a basic rhythm of drums and a spooking guitar scales repeating the above verse. Subsequently, the breakdown of compas repeats the initial musical structure with the following verses: " el frio amargo de la existencia , juzga con las voces de mis ancestros ,solo el horror de la muerte entrega perdon y calma" After that the song ends with a pacified harmony in guitar arpeggios.
6. Satanic victory.
The song starts with an atmosphere of anxiety, fast drums and picking alternated with a terrrificas and raw voices make up this first part, the percussion stops suddenly to start the voices of a ritual being performed in manifestation of all evil with the nuances of the guitar. Even more interesting is the moment when everything is silent and endure the ritualistic verses similar to a prayer around Satanism, then enter again the songs with raw guttural overtone voices with all other instruments.
7. Only facing Life we find what Death means
After all this conceptual route of the album, it comes down to this paradoxical conclusion and complementary at time with the track 1 "Only facing Death we find what Life means" precisely due to the base riff implemented above is preserved, just it hears bells again, the changes marked by dishes and introspective desperation that reflects this song. The song extols by shouting the phrase "Time runs out ... ... while we hide in shadows ... ... dying in darkness we lie ... now .."
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