MELODIC DEATH METAL FROM PARAGUAY
On this album always stands the start of percussion with unconventional Death Metal rhythmic patterns, with excellent cuts that create a feeling of euphoria and hold the listener, to a large extent this is due to the ritualistic character of the batteries in songs like "Anga Uha Guyra hu", "Ñorairo, Sapukai (Acosta Ñu)" and "blasphemer" offering an warrior and cautious freshening , also taking place with a quick double pedal blast beat in many parts.
Concerning to guitars and electric bass can be detailed an elaborate technique, being used typical blunt death metal riffs strongly in the power marked by bass, black metal style tremolo picking, songs like "Rockhay`hu" and the instrumental "Saso "have excellent transitions from very fast to dense and slower riffs , there are also songs like" Curupayty "reflecting the Thrash Metal style, "vencer o morir" with an Brutal Death Metal Style and" Saso "with great content of Technical Death Metal. Also are other typical sounds within the death metal as the piano on the song "Rockhay`hu" and environment adjustment with a suspected synthesizers in the song "blasphemer". As for the vocalization has achieved a great job with a quick pronunciations maintaining the sound of the throaty also keeping good management of musical melisma.
The conceptual subject matter of the album reflects a clear inclination to defend aboriginal lands where the Guarani language is preserved, offering war cries and challenges to any dogma or culture that seeks to end the ancestral legacy of the natives.
Influenced by bands like Amon Amarth, Belphegor, Hypocrisy, Venom, Sodom, Vader, Emperor, Azarath, Immortal, Krisiun, metallica, death, slayer, burzum, deep purple, ac/dc, kreator, necrophagist, cannibal corpse.
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"ARASUNU" (OFFICIAL VIDEO)
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